Archive for the 'music' Category

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Weekly Top 10 and an Attempt to Play A Portion of All Four Discs of The Flaming Lips’ Zaireeka at Once

Published on April 18, 2011 2 Comments

A children’s book made #1 this week?! That’s crazy. But true.

Also! Here’s footage from an event here at Quimby’s for the Continuum’s 33 1/3 series about albums of the past 40 years. This event on 9/17/11 featured NIU prof Joe Bonomo who did a book about AC/DC’s Highway to Hell, Editor-in-Chief of Pitchfork Media Scott Plagenhoef who did a book about Belle and Sebastian’s If You’re Feeling Sinister, and managing editor of Pitchfork Mark Richardson who did a book about the Flaming Lips’ Zaireeka. The footage below is of Mark Richardson reading from his book and then attempt to sequence the four CDs of the album to play simultaneously. Click on the image below and go watch it on YouTube.

Mark Richardson reads from his book The Flaming Lips' Zaireeka

Click on the picture to watch Mark Richardson discuss and play part of The Flaming Lips' Zaireeka

 

1. Counting In The Studio by Cecilia Pinto and Megan Williamson  $10.00 – This attempt to show the process of creative expression to young readers. A dog lives with an artist who has also depicted her own studio in the book. Inside the studio it is possible to stare out windows just like those in the book. The studio, at the back of the artist’s home, is nestled on a side street in a Chicago neighborhood. The artist and the writer met at the studio to talk about the project before and after making their own separate work. The dog was always present and lent his inestimable support even when napping on the comfy, pillow-strewn chaise lounge which is up against a wall with drawings on it, just like in the book.

2. Spoken Nerd Revolution by Shappy Seasholtz (Penmanship) $15.00

3. Mister Wonderful: A Love Story by Daniel Clowes (Pantheon) $19.95

4. Gentlewoman #3 Spr Sum 11 $10.95

5. Burn Collector #15 by Al Burian (Microcosm) $3.00 – Al Burian takes on his new home town, Berlin with a little help from a Chicago All-Star team of Anne Elizabeth “Unmarketable” Moore and Liam “Secret Beach” Warfield.

6. Archiving the Underground #1 by Jenna Brager and Jami Sailor $2.00

7. OP Original Plumbing #6 Trans Male Quarterly $8.00 – The theme this round is “Schooled”, highlighting a twin commitment to both the “It Gets Better” and the “Make It Better” campaigns targeted at queer youth.

8. Cartooning Philosophy and Practice by Ivan Brunetti (Yale) $13.00 – This is about as close you are going to get to having Ivan Brunetti come to your house and teach you how to make great comics. Turns out, it’s pretty damn close – Philosophy and Practice serves up a concise and well-honed crash course on finding and fine tuning your comics voice. -EF

9. Hi Fructose #19 $6.95

10. Hot Teen Slut by Cristin O’Keefe Aptowicz (Write Bloody) $15.00

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Sean Yseult from White Zombie Reads From I’m In The Band 4/4

Published on March 9, 2011 0 Comments
Apr ’11
4
7:00 pm

Art rock? Noise rock? Punk-metal? Alternative? White Zombie may have been unclassifiable, but it didn’t stop them from carving out a place for themselves in music history. The band became a multi-platinum, two-time Grammy nominee with the release of their 1992 album, La Sexorcisto. But while most people will remember their bizarre look and macabre lyrics, what many failed to realize was that their lanky, high-octane bass player was a woman.

I’m in the Band charts White Zombie’s rise from the gritty music scene of New York’s Lower East Side in the eighties to arena headliners during the nineties alternative-explosion that followed in Nirvana’s wake, while sharing the unlikely story of a female musician who won the respect and adoration of male metal musicians and fans. From 1985 to 1996, Sean Yseult was the sole woman not only in White Zombie, but in the entire metal scene: bands, roadies, managers, you name it—with the exception of girlfriends and groupies, Yseult was in a world by herself.

With I’m in the Band, Yseult combines eleven years of tour diaries, flyers, and personal photos and ephemera—many featuring rock icons such as Lemmy Kilmister, Iggy Pop, Joey Ramone, and Lux Interior—into a striking visual memoir. She offers fans a unique vantage on the life of a mega-band during rock’s last golden age.

Sean Yseult played bass and wrote music for White Zombie from its inception in 1985 through its breakup over a decade later. Since then she’s played with Famous Monsters, Rock City Morgue, and The Cramps; exhibited her photography in galleries across the country; and formed the design company Yseult Designs. She divides her time between New Orleans and New York City.

“This book has more good stories than a salty old sailor:  tattoos, evil deeds and alcohol breath included!”
-CJ Ramone, The Ramones

For more info: seanyseult.com

Monday, April 4th, 7pm

********************

Tuesday, April 5th, 9pm

And then the next night, April 5th, we’ll be selling books at Delilah’s where Sean will  be guest DJing!

Metal Shop at Delilahs, Chicago’s longest-running metal DJ event, is excited to announce that on Tuesday April 5th, former WHITE ZOMBIE bassist SEAN YSEULT will guest DJ! Sean Yseult and DJ Platz will also have rare White Zombie items to giveaway, along with 5 hours of the best in new and classic metal and hard rock!

Delilahs
2771 N. Lincoln Avenue. Chicago
773-472-2771

Metal Shop is from 9pm-2am, the first Tuesday of each month. As always, NO COVER.

For more information:
delilahschicago.com
seanyseult.com


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Sara Marcus Reads GIRLS TO THE FRONT With Jessica Hopper, author of The Girls Guide to Rocking

Published on September 24, 2010 0 Comments
Oct ’10
23
7:00 pm

GirlsFrontThe last great underground cultural movement of the pre-Internet age, Riot Grrrl revolutionized girlhood itself. In the early 1990s, young women were realizing that the equality they’d been promised was still elusive, and a newly resurgent right wing was turning feminism into the ultimate dirty word.

Riot Grrrl roared into the spotlight in 1991: an uncompromising movement of pissed-off girls with no patience for sexism and no intention of keeping quiet. They published zines, founded local groups, and organized national conventions, while fiercely prophetic punk bands such as Bratmobile, Heavens to Betsy, Huggy Bear, and Bikini Kill helped spread the word across the US and to Canada, Europe, and beyond.

GIRLS TO THE FRONT (Harper) is the first-ever history of Riot Grrrl—lyrical and infused with punk, it tells the story of a group of extraordinary young women coming of age and coming into their own. Part social history, part cultural criticism, and part collective biography, this passionate narrative takes us from the front row of a punk show to the stage of the Republican Convention; from a seedy strip club to the US Supreme Court. It tells the tale of a time when America thought feminism was dead, but a generation of noisy girls rose up to prove everybody wrong. Deftly weaving together a wide range of political and cultural histories, this is a dynamic chronicle not just of a movement but of an era.

Also joining Sara is Jessica Hopper, author of The Girls Guide to Rocking (Workman Books).

For more info: www.girlstothefront.com

Neon Marshmallow Fest Starts Tonight!

Published on August 19, 2010 0 Comments

neonmarshmallow

Tonight the Neon Marshmallow Fest starts at The Viaduct Theater 3111 N. Western Ave.  Chicago, in the heart of Roscoe Village. Don’t miss this weekend’s festivities there, featuring a wide array of experiental noise music. See neonmarshmallowfest.com for details.

A Night With Continuum’s 33 1/3 Book Series

Published on August 18, 2010 0 Comments
Sep ’10
17
7:00 pm

33.3 Series

33 1/3 is a series of short books about critically acclaimed and much-loved albums of the past 40 years. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music.  The series now spans over 70 titles, covering a wide range of albums, from Public Enemy and Slayer to ABBA and Celine Dion. Indeed, this event is probably the only time in history that AC/DC and Belle and Sebastian will share a bill. Three writers, three albums. One event.

Joe Bonomo – AC/DC’s Highway to Hell

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers?  Blending interviews, analysis, and memoir with a fan’s perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes “disaster sound like the best fun in the world.”

Joe Bonomo teaches in the English Department of Northern Illinois University. He is the author of Sweat: The Story of the Fleshtones, America’s Garage Band (Continuum 2007), and Installations (Penguin), a collection of prose poems.  His personal essays and prose poems have appeared in numerous literary journals.

* * * * *

Mark Richardson – Flaming Lips’ Zaireeka

“[A] wildly accessible, entertaining, and thoughtful book about the importance of an album that nobody talks about much anymore.” –The Stranger

The Flaming Lips’ 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson’s prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the “death of the album” are interspersed with the story of the Zaireeka’s creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.

Mark Richardson is the managing editor of Pitchfork. He was a contributing editor to The Pitchfork 500 and his writing on music has appeared in publications including the Village Voice, LA Weekly, and Metro Times Detroit.

* * * * *

Scott Plagenhoef – Belle and Sebastian’s If You’re Feeling Sinister

If You’re Feeling Sinister shows how Belle & Sebastian transformed themselves over the space of a decade, from a slightly shambolic cult secret into a polished, highly entertaining, mainstream pop group. Along the way, the book shows how the internet has revolutionized how we discover new music—often at the cost of romance and mystery.

Scott Plagenhoef is Editor-in-Chief for Pitchfork Media.

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For more info: http://33third.blogspot.com/