"PROPAGATION’s minimalist scoring belies an obsession with the gestural repleteness of discourse, with what poet and linguist Henri Meschonnic called the embodied aptitude of language (“a poem is an activity, not a product”). One central activity of this poem is listening, to language public and private, living and mediated, and to texts we read silently or aloud to one another. A series, the poems in PROPAGATION also test audible vectors by sifting and colliding, graphing and distilling. What emerges is both residue and metamorphosis: a materialist sensing of the complex ecosystems of language and experience."