Archive for the 'Event' Category

Dan Clowes Signs The Art of Daniel Clowes: Modern Cartoonist 5/17

May
17
7:00 pm

The First Monograph on the Celebrated Cartoonist:

The Art of Daniel Clowes: Modern Cartoonist

 Edited by Alvin Buenaventura

Designed by Jonathan Bennett

Interview by Kristine McKenna

Introduction by George Meyer

Essays by Chip Kidd, Susan Miller, Ken Parille,

 Ray Pride, and Chris Ware

“Clowes has explored the tedium and mystery of contemporary American life with more wit and insight than most novelists or filmmakers.” —New York Times

“A master storyteller and artist. There is poetry in every panel.”—Esquire

“The country’s premier underground cartoonist.” —Newsweek

Throughout his twenty-five-year career, Daniel Clowes has always been ahead of artistic and cultural movements. In the late 1980s and 1990s his groundbreaking comic-book series Eightball defined the indie aesthetic of alternative comics, with wit, venom, and even a little sympathy. His breakthrough success, Ghost World, convinced mainstream readers of comics’ literary potential. In the new millennium, with works such as Ice Haven, Wilson, Mister Wonderful, and The Death-Ray, Clowes has redefined the graphic novel as an art form.

Now, for the first time, the award-winning, New York Times bestselling graphic novelist, cartoonist, and screenwriter opens his archives. The Art of Daniel Clowes: Modern Cartoonist (Abrams ComicArts; April 2012; U.S. $ 40.00/Can. $45.00; ISBN 978-1-4197-0208-2), the first monograph on one of America’s most innovative cartoonists, collects Clowes’s best-known work alongside seldom-seen illustrations, personal photos and memorabilia, behind-the-scenes drawings and sketchbook pages, and unpublished comics and original art. This lavishly illustrated celebration of Clowes’s work, edited by Alvin Buenaventura, designed by Jonathan Bennett, also features essays by noted contributors such as Chip Kidd and Chris Ware.

The Art of Daniel Clowes ties in to a touring retrospective of Clowes’s work opening at the Oakland Museum of California in April 2012.

About the Author

Alvin Buenaventura recently started the publishing company Pigeon Press. He previously published artistic and insightful graphic novels, books, and prints under the imprint Buenaventura Press from 2003 to 2009. Buenaventura also edits the monthly comics section for McSweeney’s literary magazine The Believer. He lives in Oakland, California.

About the Book

The Art of Daniel Clowes: Modern Cartoonist

Edited by Alvin Buenaventura

Designed by Jonathan Bennett

Interview by Kristine McKenna

Introduction by George Meyer

Essays by Chip Kidd, Susan Miller, Ken Parille, Ray Pride, and Chris Ware

Abrams / April 2012

U.S. $40.00 / Can. $45.00

ISBN 978-1-4197-0208-2

Hardcover with jacket

224 pages / 9 ¼” x 12″

300 color illustrations

Vittorio Carli Reads A Passion For Apathy, with Friends 2/11

Feb
11
7:00 pm

Reads A Passion For Apathy,
with , , , and other special guests

In A Passion For Apathy, (published by Press of the Third Mind), Vittorio Carli experiments with many types of genres, and his poems were primarily influenced and informed by beat writings, dada, children’s literature, formalist verse, absurdism, fluxus, and surrealism.

“I need to make it clear that this relatively small (68 pages) collection is in no way narrow or repetitious, either stylistically or thematically. Far from it; There is free verse, rhyming verse (where Carli shows the least originality and strength), language poetry, story-poems, repetitive poems, and even a bit of vispo, and the ending poem of the book: “Theological Parody” is something else again, and well worth a few careful reads. Poet–publisher Bradley Lastname and Press of the 3rd Mind continue to be at the forefront of the small and independent press…” -Joey Madia in New Mystic Reviews

“A book by Vito Carli is long overdue. He is an ever changing fixture on the Chicago poetry scene, and seeing his work on the page, (mostly for the first time) does not pin him down in any one genre.  He is a constant experimenter, and seeing his poetry in print gives the reader a far greater appreciation for the nuances in his work.” -Dave Gecic (publisher of Pudd’nhead Books)

Vittorio Carli’s poems have been published in Best of Chicago Poetry, Online! the Chicago Poetry Renaissance, Café Review, Rambunctious Review, Polvo, The American Dissident, Dissent, Struggle: The Journal of Revolutionary Literature, Mind in Motion, Alphabeat Press, Alternative Press, Poems of the World, Religious Humanism, The World Salad Anthology, and The Anti Mensch. Vittorio has done music, art and film reviews for The Star newspapers, The Southtown Star, Chicago Artists News, the Daily Herald, “Letter eX,” “Dialogue,” and reelmoviecritic.com. He currently does film commentary on WZRD (88.3 FM) on Sundays at 3:30, and he writes a poetry blog at www.examiner.com.

For more info: carlivit@gmail.com      artinterviews.com     bradleylastname.com    bankley.org.uk/Artist-Carolyn-Curtis-Magri

Sat, February 11th, 7pm

Martha Bayne Discusses The Soup & Bread Cookbook 2/9

Feb
9
7:00 pm

Everybody loves soup. But why?

 

Sure, it’s nutritious, affordable, and infinitely variable. Soup can be a rustic meal in a bowl or a dainty palate cleanser. It can showcase the pure flavors of fresh spring peas or provide a last-ditch use for tired celery and the stalest bread. From borscht to pozole to udon, it’s the hallmark of home cooking across cultures. It soothes the sick, it nourishes the poor–and it can trick children into eating their veggies. And, alone among foods, a pot of soup can be a powerful tool to both draw people together and help them to reach out to others.

 

The Soup & Bread Cookbook, inspired by author ’s Soup & Bread series at Chicago’s Hideout, aims to explore this social role of soup, in the midst of a collection of terrific, affordable recipes from food activists, chefs, and others, providing a quirky exploration of the cultural history of soup–and its natural ally, bread–as a tool for both building community and fostering social justice.

 

The social functions of soup don’t stop at the soup kitchen door. Everyone’s familiar with the “stone soup” fable — the tale of a hungry town that feeds itself when every citizen contributes something to the pot. But have you heard about Re-Thinking Soup, a weekly free soup lunch started in Chicago by Sam Kass, the Obamas’ personal chef? Or about Empty Bowl, a nationwide grassroots effort to raise money for hunger relief by partnering with local arts groups?

 

Soup has a powerful effect on how people gather, eat, and share. A few years ago in Seattle, Knox Gardner had a brainstorm. Eating your way through a pot of soup day after day can get boring–why not get together and swap some with friends? The idea took off like chicken and noodles, and now neighbors across the country are getting together regularly for home-based “soup swaps,” with a date at the end of January annually designated (by soupswap.com) as National Soup Swap Day.

 

In Chicago, the arts collective InCUBATE uses soup as a microfunding tool. Each month since the Sunday Soup project launched in 2007, the group hosts a casual soup dinner for members and likeminded friends; the proceeds to go fund a different art project each month. And of course, soup can be a political statement: The radical volunteers of Food Not Bombs have been providing free vegetarian soup to the hungry as a protest against war and social injustice since 1980.

 

These are just a few examples of the stories Bayne wraps around a collection of delicious, accessible and tested soup recipes, the diversity of which epitomizes the wide-ranging potential of soup as a community building tool. “Celebrity” chef contributors share the pages with food activists, farmers, writers, soup geeks, and regular folks involved in grassroots food projects around the country.

For more info: soupandbread.net

One of the top ten essential cookbooks for fall 2011.
-Time Out Chicago

Beautifully written, generous and honest, the book looks at community building through lenses as various and diverse as the country has to offer. Bayne finds people of many kinds – immigrants, nuns, urban farmers, artists and activists – each using soup to bring people together and knit up what has become unraveled.

-Eiren Caffall, Tikkun Daily

Zine Challenge Reading Here on 1/28

Jan
28
7:00 pm

Readers From Our First Quimby’s 24-Hour Zine Challenge Show Off What They Made 1/28

The folks who participated in our first 24-Hour Zine Challenge Jan 14th & 15th will show off what they made. Please note that spaces for the 14th and 15th are full, but we do encourage you to come in and hang out with us until we close a little later than we normally do on Saturdays. On the night of Sat, Jan 14th we’ll be open to midnight!

What was that challenge again? Here’s what we announced to get people to participate:

Perhaps you were not able to participate in the 2011 Revenge of Print Challenge by getting your zine or comic out. Or perhaps you need some encouragement. Do you work well under deadlines? Perhaps you’re addicted to the adrenal rush of zine crafting? Well, you’re in luck. The 24-Hour Zine Challenge is for you. Starting Sat, 1/14 at 7pm and going until 7pm on Sun 1/15 here at Quimby’s, we invite you to come in and make your zine within 24 hours. And we’ll let you crash at our pad. By “pad” we mean on our floor. We provide: paper, minimal scanner use, zine supplies such as a long arm stapler, some food, power strips, temporary free wifi. You provide: sleeping gear, ideas, stamina, your computer or typewriter (if that’s your thing).

We’re inviting folks who signed up for the zine challenge to show off what they made as this event.

Sat, Jan 28th, 7pm

Brett Eugene Ralph & Poet Friends Celebrate 3/3

Mar
3
7:00 pm

More info soon.