Archive for the 'comics' Category

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Call for Best American Comics

A word from Jessica Abel and Matt Madden, the series editors of The Best American Comics for comics artists and publishers!

Hi everyone,

This is a note to remind you that we are, as always, collecting submissions for the Best American Comics. Great stuff comes out all year round and we want to get our hands on it as soon as possible. In addition, it makes our guest editors’ jobs much more manageable if we can supply them with a large batch of excellent booty by mid-summer.

So please submit your books published since September 1 of 2011 for Best American Comics 2013. If you don’t publish books, we’ve put you on our reminder list because we know you know people who do, and we hope you’ll pass on this reminder to them. Especially when it comics to minis, webcomics, and very small press, we need your help to make sure we’re seeing what’s great out there in the comics world.

How to submit:
Mail one copy of each of your books to us at the address below. Please make sure to attach your contact information and the RELEASE DATE. If it’s not inside the book, stick a post-it on the cover with that info.

For more details on the submissions process and rules, look here: http://www.hmhbooks.com/bestamerican/comics/contacts.html

BAC11, under guest editor Alison Bechdel, has been one of our most popular volumes yet and I’m pleased to be able to announce to you “officially” the the guest editor for BAC12 is none other than Françoise Mouly! (As for BAC13, you’ll just have to wait and see…)

Looking ahead, Jessica and Matt will both be at MoCCA Fest  and will have a table where you can drop books off if you don’t see us walking the floor. Matt will also be at TCAF the following weekend. We look forward to seeing you.

thanks and get in touch if you have any questions,

Jessica Abel and Matt Madden
Series Editors
The Best American Comics
Houghton Mifflin Harcourt
215 Park Avenue South
New York, NY 10003

Zak Sally, Dale Flattum and John Porcellino 3/23

Mar ’12
23
7:00 pm

Quimby’s welcomes Zak Sally, Dale Flattum and John Porcellino!

Sammy the Mouse: Volume 1 by Zak Sally (Colors throughout, 104 Pages) is the first collection of sammy the mouse comics, all in a beautifully bound, handmade package. This collection is the first three issues of Eisner Award Nominee Zak Sally’s comic Sammy the Mouse (previously serialized as part the international Ignatz line of comics published simultaneously by Fantagraphics Books in the United States and Coconino Press in Italy). For this collection, Sally printed each copy on his own AB Dick 9810 offset press and is releasing it under his La Mano publishing house. Sally is personally responsible for every step in the bookmaking process; from conception to execution to reproduction to delivery, making each hand-signed copy the product of one artist’s unique vision. Volume 1 introduces us to Sammy, his friends and frienemies, and a fantastical town that’s as elegantly drawn and viscerally alive as the characters themselves. Sammy is tugged and pulled about town against his own volition in this first part in the series; from a bar in the shape of a baby to the top of a giant staircase to a picnic on the beach with a mustachioed female stranger. Some characters are seemingly controlled by an unseen voice from above, others by the constant need to get drunk. Throughout the book, Sally offers glimpses of the epic tale ahead between the drinking, arguing, and vomiting. Meticulously drawn and printed using a sophisticated two-color process, Sammy the Mouse: Volume 1 is an extremely funny, weird and intense introduction to what will be a truly unique series.

PRAISE FOR SAMMY THE MOUSE
“A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort… A-” – The Onion AV Club

“And then there’s Zak Sally’s Sammy The Mouse which for me has been a revelation…” – Tom Spurgeon, The Comics Reporter

“Nothing else I’ve seen in thirty years of self- enforced sobriety has made me want a drink more than Sammy the Mouse. Zak Sally grabs you by the eyes and drags you headlong into a vision of earnest struggle and serial revelation. It feels real. Hell, it is real.” –Jim Woodring

“Sally is producing a real sharp, evocative and haunting work that manages to send a deli- cious chill up my spine upon reading it.” – Chris Mautner, Robot 6

Zak Sally is an Eisner-nominated cartoonist whose work has appeared all over the place. He owns and operates La Mano, an award-winning “micro-publishing” house who has published work by John Porcellino, William Schaff, Nate Denver, Jason Miles, and Kim Deitch. He spent 12 years in the band Low.

——————-

Dale Flattum creates posters, art forgeries, and other screen printed propaganda under the alias TOOTH. His book TOOTH: The Graphic Art of Dale Flattum showcases 25 years of his graphic art. It includes 250 page volume mixes posters, illustrations & propaganda into a semi autobiographical history, as told through a Xerox machine. *It also includes a CD of music pulled from the author’s shady nine year musical past in the bands Steel Pole Bath Tub, Milk Cult, The Nein, and Agent Nova. (The CD also includes the unreleased Novex second album.)

“When I was 16 years old,” Dale explains, “I tore a weird looking poster off of a telephone pole near my house. It was crudely assembled, cheaply produced, and probably the greatest thing I’d ever seen. Later when I started to play music, the poster for the show became almost as important as the show itself. It was proof that something had happened. It was subversive propaganda. It was fun. It was addicting. And what did you need to do it? Scissors? Glue? A Xerox machine? An 8.5 x 11 piece of paper turned out to be a very powerful thing. The possibilities were endless.”

“TOOTH makes needles out of haystacks.” Dirk Fowler

“Blunt, in your face, yet abstract at the same time. Much of this book feels sticky to me for some reason. I’m glad Dale has kept this up and sharpened his art tongs over the years.” -Jello Biafra

“TOOTH’s exquisite work looks so effortless. He can do in a moment what I have to STRUGGLE to do. I’m jealous!” -Art Chantry

“Awesome!!!” -Wayne Coyne

——————-

John Porcellino has been writing, drawing, and publishing minicomics, comics, and graphic novels for over twenty-five years. His celebrated self-published series King-Cat Comics, begun in 1989, has inspired a generation of cartoonists. Diary of a Mosquito Abatement Man, a collection of King-Cat stories about Porcellino’s experiences as a pest control worker, won an Ignatz Award in 2005, and Perfect Example, first published in 2000, chronicles his struggles with depression as a teenager. King-Cat Classix and Map of My Heart, published in 2007/2009, offer a comprehensive overview of the zine’s first sixty-one issues, while Thoreau at Walden (2008) is a poetic expression of the great philosopher’s experience and ideals. According to cartoonist Chris Ware, “John Porcellino’s comics distill, in just a few lines and words, the feeling of simply being alive.”

Event Details:
Where and When: Here at Quimby’s, 3/23, 7pm, free
Who & What new title they’re celebrating:
Zak Sally Sammy the Mouse vol 1
Dale “TOOTH” Flattum TOOTH: The Graphic Art of Dale Flattum
John Porcellino “King-Cat Comics #72”

Dan Clowes Signs The Art of Daniel Clowes: Modern Cartoonist 5/17

May ’12
17
7:00 pm

The First Monograph on the Celebrated Cartoonist:

The Art of Daniel Clowes: Modern Cartoonist

 Edited by Alvin Buenaventura

Designed by Jonathan Bennett

Interview by Kristine McKenna

Introduction by George Meyer

Essays by Chip Kidd, Susan Miller, Ken Parille,

 Ray Pride, and Chris Ware

“Clowes has explored the tedium and mystery of contemporary American life with more wit and insight than most novelists or filmmakers.” —New York Times

“A master storyteller and artist. There is poetry in every panel.”—Esquire

“The country’s premier underground cartoonist.” —Newsweek

Throughout his twenty-five-year career, Daniel Clowes has always been ahead of artistic and cultural movements. In the late 1980s and 1990s his groundbreaking comic-book series Eightball defined the indie aesthetic of alternative comics, with wit, venom, and even a little sympathy. His breakthrough success, Ghost World, convinced mainstream readers of comics’ literary potential. In the new millennium, with works such as Ice Haven, Wilson, Mister Wonderful, and The Death-Ray, Clowes has redefined the graphic novel as an art form.

Now, for the first time, the award-winning, New York Times bestselling graphic novelist, cartoonist, and screenwriter opens his archives. The Art of Daniel Clowes: Modern Cartoonist (Abrams ComicArts; April 2012; U.S. $ 40.00/Can. $45.00; ISBN 978-1-4197-0208-2), the first monograph on one of America’s most innovative cartoonists, collects Clowes’s best-known work alongside seldom-seen illustrations, personal photos and memorabilia, behind-the-scenes drawings and sketchbook pages, and unpublished comics and original art. This lavishly illustrated celebration of Clowes’s work, edited by Alvin Buenaventura, designed by Jonathan Bennett, also features essays by noted contributors such as Chip Kidd and Chris Ware.

The Art of Daniel Clowes ties in to a touring retrospective of Clowes’s work opening at the Oakland Museum of California in April 2012.

About the Author

Alvin Buenaventura recently started the publishing company Pigeon Press. He previously published artistic and insightful graphic novels, books, and prints under the imprint Buenaventura Press from 2003 to 2009. Buenaventura also edits the monthly comics section for McSweeney’s literary magazine The Believer. He lives in Oakland, California.

About the Book

The Art of Daniel Clowes: Modern Cartoonist

Edited by Alvin Buenaventura

Designed by Jonathan Bennett

Interview by Kristine McKenna

Introduction by George Meyer

Essays by Chip Kidd, Susan Miller, Ken Parille, Ray Pride, and Chris Ware

Abrams / April 2012

U.S. $40.00 / Can. $45.00

ISBN 978-1-4197-0208-2

Hardcover with jacket

224 pages / 9 ¼” x 12″

300 color illustrations

Craig Thompson Celebrates Habibi 11/17

Nov ’11
17
7:00 pm

Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, Habibi (Pantheon Books) tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, circumstance, and love. We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world fueled by fear and greed.  At once contemporary and timeless, Habibi gives us a love story of astounding resonance; a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and the magic of storytelling.

“Habibi is a remarkable feat of research, care, and black ink, and a reminder that all “People of the book,” despite the division of their individual traditions, share a mosaic of stories.”—Zadie Smith, Harper’s Magazine

“A fantastical love story of a harem girl and the slave boy she rescues, inspired by the Arabian Nights, ancient calligraphy, and modern environmental catastrophe.”—Dan Kois, New York Magazine

Craig Thompson is the award-winning author of the graphic novels Blankets  and Good-bye, Chunky Rice.

For more info:
http://www.facebook.com/CraigThompsonAuthor

www.pantheonbooks.com

 

 

 

 

Click here to download a copy of the press release for this event.

Quimby’s Backs Chromazoid Comics Anthology & Mix Tape Kickstarter Project. So should you.

We backed the Chromazoid Comics Anthology & Mix Tape Kickstarter project by Lale Westvind in Harlem, NY. It’s a book with color comics by nine FRESH Comics by Nine FRESH Artists, handpicked, like flowers, IN VIBRANT COLOR! Each comic is totally unique in its aesthetic and medium. The artists are Ben Bertin, Robert Calzone, William Cleveland, Lisa Cline, Lyra Hill, Nick Jackson, Ian McDuffie, Jeremy Tinder and Lale Westvind.

Editor Lale Westvind says, “The Mix Tape that comes with the book is an eclectic mix of genres and styles, with songs and sounds influenced and inspired directly by the comics in the book. I made this book to showcase friends and peers of mine that I thought were making incredible work and wild music, stuff that would look and sound even better if PRINTED IN COLOR and ON TAPE and COMBINED! Kickstarter donations fund the expensive color printing of these books and tapes, then we get to carry the chromazoids all over the u.s. to get our work seen, read and heard.”

For more info:
Chromazoid on Kickstarter
Chromazoid Blog (to see comics pages from the book and links to the individual artists’ websites)