Archive for the 'Store Events' Category

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Cindy Crabb Reads From The Encyclopedia of Doris 9/3

Sep ’11
3
7:00 pm

Cindy Crabb has been writing the influential, internationally distributed, autobiographical-feminist zine Doris since the early ‘90’s. Her new book, The Encyclopedia of Doris, brings together the last 10 years of zines and a ton of new writing as well. In it, she explores subjects like consent, feminism, abortion, death, self-image, creativity, shyness, queer identity, addiction, punk and anarchism. Crabb is the editor of the zines Support and Learning Good Consent. She lives in South-East Ohio with her miniature horses, plays in the punk band Snarlas, and is a sexual abuse survivor advocate.

“…zines are a space where third wave feminist theory is emerging, and many scholars don’t recognize this because they don’t read zines.  They should read Doris.”     –Alison Piepmeier, Author of Girl Zines: Making Media, Doing Feminism

 

Cindy Crabb’s work has been featured in such places as: The Utne Reader, Maximum Rock and Roll, and Cometbus. Her work has also been in such anthologies as We Don’t Need Another Wave: Dispatches from the Next Generation of Feminists; Experiencing Abortion: A Weaving of Women’s Word; and A Girls Guide to Taking Over the World: Writing From the Girl Zine Revolution. Her diaries and papers are housed at the Schlesinger Library at Radcliffe. She has spoken at colleges, libraries and community centers across the country.

For more info: dorisdorisdoris.com/

Sat, Sep 3rd, 7pm

Christopher Boucher reads from How To Keep Your Volkswagen Alive with Adam Levin (The Instructions) 8/24

Aug ’11
24
7:00 pm

By the time Christopher Boucher reaches Chicago he will have driven nearly 3,000 miles across America in his 1972 Volkswagen Beetle, reading from How To Keep Your Volkswagen Alive, playing the novel’s theme-song on his banjo, and reading to people, roadsigns, potholes, old barns, paramedics, flowers and railroad tracks. “I see this tour as a natural extension of the book,” he says. “The novel was written in a whimsical, playful style, but it was inspired by…my father, and the sense of wonder that he instilled in me.  That sense of wonder propelled every sentence in the book, and I want it to fuel the tour as well.”

In How To Keep Your Volkswagen Alive Christopher Boucher has created a zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that calls to mind the off-kilter comedy and inspired fabulism of Richard Brautigan, Kurt Vonnegut, and George Saunders. The prose summersaults, but the book also tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?

“Writing to save your life—and your 1971 Volkswagen—is at the heart of this wildly imaginative debut… Readers are in for a fresh, memorable ride with this inventive ‘collage of loss'”—Publishers Weekly (starred review)

“A new, exuberant novel-world. Goofiness and grief are in perfect harmony in this impressive, moving debut.”—Sam Lipsyte

Also joining the bill is Chicago author Adam Levin, author of The Instructions (McSweeney’s).

More info: mhpbooks.com vwalive.com theboucher.com mcsweeneys.net

Wed, August 24th, 7pm

Alison Bechdel comes to Quimby’s 10/8

Oct ’11
8
7:00 pm

Alison Bechdel is guest editing THE BEST AMERICAN COMICS 2011.

“An insightful compilation.”—USA Today

It is widely acknowledge that comics is, by and large, a printed medium, and in the foreword of THE BEST AMERICAN COMICS 2011, series editors Jessica Abel and Matt Madden trace the evolutionary print trends of this art form – from Sunday pages and daily strips to fanzines and minicomics to a mail art movement and self-publishing faction.  However, they also recognize that comics have invaded the digital medium, and many of the aforementioned DIY-ers have created a webcomics scene that parallels, yet doesn’t necessarily intersect with, the print world.  In part as a reflection of this new trend, this year’s volume of THE BEST AMERICAN COMICS features a first for this series: Kate Beaton’s clever, buzz-worthy, and hilarious Hark! A Vagrant, the first included comic by an artist who emerged entirely from the webcomics scene.

Star guest editor Alison Bechdel, author of the seminal chronicle of lesbian lives and loves, Dykes To Watch Out For, and the highly-acclaimed graphic memoir Fun Home: A Family Tragicomic, continues this reflection on comics trends in her introduction.  Though she originally became a cartoonist because of its alternative, underground nature far from mainstream literary and art criticism, she acknowledges – and appreciates – the incredible growth spurt and popularity boost comics have undergone in the past decade.

Submission after submission, Bechdel writes, shows how cleverly, confidently, and infectiously young comics are playing with the balance of art and language.  Selections like Brendan Leach’s Pterodactyl Hunters about fictionalized 1904 New York, Chris Ware’s Jordan Lint to 65 about the complete, fictionally-realized life of Jordan Lint, and Joe Sacco’s historiography, Footnotes in Gaza don’t fit neatly into a single category.  And yet, many of these pieces address a metacomic theme, commenting on their own art form in some way – David Lasky’s cheeky send-up of recent trends in the ‘graphic novel’ phenomenon and Joey Allison Sayers’ Pet Cat, which investigates the negative qualities defining the more commercial reaches of the comicsphere.

And although Bechdel questions why there’s still such a gender disparity in the field, she also lauds the fact that female cartoonists are beginning to experience a form of freedom that she hopes will extend to the art form as a whole.  “Freedom from having to explain or defend ourselves.  Freedom from being confined to one section of the bookstore.  Even freedom—one day, maybe—from books like this one.”  And it is this liberation, this ability to “look just a little beyond the horizon” that truly defines each of the pieces in THE BEST AMERICAN COMICS™ 2011 which begins, appropriately, with Gabrielle Bell’s heartfelt Manifestation.

Allison Bechdel began drawing the comic strip Dykes to Watch Out For in 1983.  Dykes was syndicated in fifty alternative newspapers, translated into multiple languages, and collected into a book series with over a quarter of a million copies in print. Bechdel is also the author of the best-selling graphic memoir Fun Home: A Family Tragicomic, which was named a Best Book of the Year by Time, Entertainment Weekly, the New York Times, People, USA Today, the Los Angeles Times, the Village Voice, and the San Francisco Chronicle, among others.  Her new graphic memoir, Are You My Mother?: A Comic Drama, will be published by Houghton Mifflin Harcourt in April 2012.

David Shrigley comes to Quimby’s 9/20!

Sep ’11
20
7:00 pm

David Shrigley – Live and in person! 9/20 7pm at Quimby’s

and 9/21 at Columbia College

WHAT THE HELL ARE YOU DOING? The Essential David Shrigley

“David Shrigley is probably the funniest gallery-type artist who ever lived.” -Dave Eggers

“With a casual gesture Shrigley points to that hideous shape whose name I’ve never known—and then he names it. And the name is profoundly, embarrassingly familiar. I’m laughing while frantically searching for a pen, so desperate to capture the feeling he has unearthed in me.” -Miranda July

David Shrigley is the rare artist that can comfortably walk the fine line between pop culture and high art. While he’s animated videos for musicians such as Blur and Bonny Prince Billy, his work can also be seen in world renowned museums such as MoMA and the Tate Modern, and his highly distinctive style has been on display in galleries in New York, Paris, Berlin, Melbourne, and beyond. He is also clearly a madman.

The aptly named WHAT THE HELL ARE YOU DOING: The Essential David Shrigley [W. W. Norton & Company; October 24th, 2011; $35.00 hardcover] is an outrageous compilation of his illustrations, comics, photography and sculpture. His crude drawings and unexpected compositions are at once childish and clever, and each depiction oddly sincere. They capture the morbid humor of Edward Gorey, the absurdity of a Monty Python sketch, and the peculiar perspective of a Charles Addams cartoon. In short, this beautiful, full color collection is an indispensible introduction to one of contemporary art’s most fascinating and provocative minds.

The pieces in this book are an eclectic and encompassing representation of Shirgley’s interest in the surreal. From a photograph of a hot dog (affixed with googly eyes and tucked comfortably into bed) to childlike drawings of humanity’s most grotesque members (a man drinking a goblet of blood, captioned simply with “CHEERS!”) this book is a both a celebration of condemnation of humanity’s most base urges, fears, and delights.

WHAT THE HELL ARE YOU DOING? is remarkably bold, and Shrigley leaves no topic untouched. Through colorful commentary, he explores everything from clowns to caffeine, sexuality to God, and all the delightfully inappropriate bits in between. You would be hard-pressed to find, in any other work of art, a match to Shrigley’s satirical brilliance. As Will Self points out in the introduction, “Shrigley’s photographic works suggest the refined eye of someone sent back from the future beyond the looming apocalypse, charged with assembling images that, while ostensibly of the mundane, nonetheless explain how it came to pass that humanity destroyed itself.” By turns unsettling, moving, and gut-wrenchingly funny, WHAT THE HELL ARE YOU DOING? is a revealing glimpse into an offbeat, darkly comedic, and utterly hilarious artistic mind. For more info: davidshrigley.com/

Also, click here for a hilarious animated video abut the book!

Tues, Sept 20th, 7pm here at Quimby’s Bookstore 1854 W. North Ave., Chicago

Wed, Sep 21st , 6:30pm – 9:30pm at Columbia College Chicago – Stage Two 618 S. Michigan Ave., 2nd Floor — Quimby’s will  be there to sell books!

These events are co-sponsored by Quimby’s Bookstore, Columbia College and AIGA Chicago.

Cassie J. Sneider Reads From Fine Fine Music with Dave Roche and Danny ‘Ratso’ Rathbun 7/23

Jul ’11
23
7:00 pm

FINE FINE MUSIC is a collection of stories about the other side of rock and roll and coming of age in the land that time forgot. Lake Ronkonkoma is stuck in 1981, an alcoholic blackout of unnatually tan people waxing their Camaros to Foreigner on cassette and knowing the words to every Billy Joel song whether you want to or not. From an internship making Seamonkey costumes, a childhood fear of My Buddy dolls, and a heartbreaking crush on Aerosmith, funny lady Cassie J. Sneider delivers her tales of growing up in a land of fist-pumping Snookies with the antagonistic wit of a record store clerk.

Cassie J. Sneider grew up in the murky depths of Lake Ronkonkoma, New York, a town with a haunted lake, a trailer park, and a record store. She put 240,000 miles on a Toyota Echo doing readings all over the country. Cassie J. Sneider collects 8-tracks and new friends. You can catch her on the Sister Spit 2012 national tour. For more info: cassiejsneider.blogspot.com

Dave Roche is the zinester behind such titles as On Subbing and About My Disappearance. He is a Quimby’s favorite.

And now, one more name has been added! It’s Danny “Ratso” Rathbun, who writes about openly and honestly about failed relationships, drugs and depression, but always with a wink and a smile. He runs a number of tongue and cheek columns like, ‘Drunken Letters to Abstract Concepts’, ‘Copyrighted Material Used Without Permission’, and ‘Punk rock trading cards’, that have drawn comparisons to Mad Magazine. Ratso’s work has been printed in over twenty different newspapers around Virginia, including The Virginia Gazette, The Williamsburg-Yorktown Daily, and others.  He is a regular contributor to Grassroots magazine, and the Commonwealth Times.  He publishes the zine Don’t Tread on Me, regularly performs standup comedy and gives readings across the state of Virginia, and is currently on a nationwide tour, doing readings across the country. For more info:  dtmzine.blogspot.com

Sat, July 23rd, 7pm