Archive for the 'Store Events' Category

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Jessica Campbell reads Hot or Not: 20th Century Male Artists

Nov ’16
4
7:00 pm

hotornot_cover

The history of twentieth-century art is filled with men, but one key component has always been missing: which of these men are boneable, and which are not. Jessica Campbell has created the definitive resource on the subject in this hilarious rundown of male artist hotness and notness with her book Hot Or Not: 20th Century Male Artists, published by Koyama Press.

“Hot Or Not: 20th-Century Male Artists […] is a hilarious, slyly subversive exploration of subjectivity, and the criticisms ultimate- ly reveal more about the critic than they do the artists.” — Oliver Sava, The A.V. Club

“With the way Campbell reduces Borduas’s or Mondrian’s ab- stractions even further, or captures what’s cute about Calder’s mien, she poo-poos macho ideas of artistic greatness, at the same time she showcases her own slyly unassuming skill.” — Sean Rogers, The Globe and Mail

Jessica Campbell is from Victoria, British Columbia, Canada and is an enthusiast of jokes, painting and comics. She completed her MFA at the School of the Art Institute of Chicago, where she was the recipient of the Edward L. Ryerson Fellowship, and also a comics instructor. She has exhibited work in Canada, the United States, Australia, and Greece, and was selected as one of NewCity’s 2015 breakout artists. She is a member of the Chicago-based comics collective Trubble Club and has published comics with micro press Oily Comics, and contributed to Drawn & Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels.

For more info:

Facebook event post to invite your friends

jessicacampbellpainting.tumblr.com

bestjokes.tumblr.com

Koyama Press, Ed Kanerva at ed(at)koyamapress(dot)com

Friday, November 4th, 7pm – Free Event

Punk Then, Punk Now, Punk Forever: Documenting DIY Culture 11/18

Nov ’16
18
7:00 pm

outofthebasementcov_lgA meet, greet, and discussion with authors David Ensminger and Daniel Makagon — two punkademics who explore and document the DIY scene of punk rock, plus local punk icon Martin Sorrondeguy of Limp Wrist and Los Crudos, who will be projecting photographs. The three will discuss punk history, their own involvement throughout the decades, DIY culture, and future issues, like chronicling scenes in a digital era that may lack traditional zines, flyers, and records.

Ensminger’s Out of the Basement: From Cheap Trick to DIY Punk in Rockford, IL, 1973-2005 “emits in vigorous detail the lineaments of the sweat-drenched musical underground nestled in his rock hard hometown… sense impressions combine with slices of scholarly reflection and the author’s own energy and timeless enthusiasm.” —  Denise Sullivan.

Martin Sorrendeguy is a punk singer known worldwide for his work with Los Crudos and Limp Wrist; he is a filmmaker that made Beyond The Screams: A U.S. Latino Hardcore Punk Documentary in 1999, and is an avid photographer whose exhibits, monograph, and lectures document’s punk’s global impact.

Daniel Makagon’s Underground: The Subterranean Culture of DIY Punk Shows published by Microcosm “explores the culture of DIY spaces like house shows and community-based music spaces, their impact on underground communities and economies…” As associate professor at DePaul University, he teaches and researches urban communication, documentary, music culture, guerrilla art, and democracy. He edits the City Series for Liminalities too.

David Ensminger writes for Razorcake and teaches at Lee College. His new book, Out of the Basement (Microcosm Publishing) is a portrayal of a rust belt city full of rebel kids making DIY music despite the odds. It combines oral history, brutally honest memoir, music history, and a sense of blunt poetics to capture the ethos of life in the 1970s-2000s, long before the Internet made punk accessible to small towners. From dusty used record stores and frenetic skating rinks to dank basements and sweat-piled gigs to the radical forebears like the local IWW chapter, the book follows the stories of rebels struggling to find spaces and a sense of community and their place in underground history. It includes hilarious untold stories and anecdotes about Fred Armisen, Green Day, and the Misfits. Ensminger has authored six books covering both American roots music and punk rock history, including Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation (Univ. Press of Mississippi, 2011) and Left of the Dial: Conversations with Punk Icons (PM Press, 2013), and Out of the Basement (Microcosm). His new The Politics of Punk analyzes radical music, social justice, community building, and punk philanthropy.

For more info: leftofthedialmag@hotmail.com, http://visualvitriol.wordpress.com

And this:

David Ensminger, “The Politics of Punk: Protest and Revolt from the Streets” (Rowman and Littlefield, 2016)

Nov 18th, 7pm

Free Event

Invite yr friends with the Facebook event invite.

Erick Lyle talks Streetopia at Quimby’s 10/20

Oct ’16
20
7:00 pm

streetopia

After San Francisco’s new mayor announced imminent plans to “clean up” downtown with a new corporate “dot com corridor” and arts district–featuring the new headquarters of Twitter and Burning Man–curators Erick Lyle and Chris Johanson brought over 100 artists and activists together with residents fearing displacement to consider utopian aspirations and plot alternative futures for the city. The resulting exhibition, Streetopia, was a massive anti-gentrification art fair that took place in venues throughout the city, featuring daily free talks, performances, skillshares and a free community kitchen out of the gallery. This book brings together all of the art and ephemera from the now-legendary show, featuring work by Swoon, Barry McGee, Emory Douglas, Monica Canilao, Rigo 23, Xara Thustra, Ryder Cooley and many more. Join Lyle to consider the effectiveness of Streetopia‘s projects while offering a deeper rumination on the continuing search for community in today’s increasingly homogenous and gentrified cities.

Streetopia’s projects were futuristic, idealistic, historically sensitive, and surprisingly practical. They offer enough ideas to keep anyone who cares about public life, culture, and art busy for the next decade.” –Chris Kraus, author of I Love Dick, and Where Art Belongs

“Streetopia is a squat, dense little brick of a book, loaded with colorful photographs and reproductions of documents from the exhibition…Reading Streetopia will prepare you to think about what such an exhibition would entail, and why it’s so necessary.” — Seattle Review of Books

Erick Lyle is a writer, curator, musician, and underground journalist. His work has appeared in Art in America, Vice, California Sunday Magazine, Huck, LA Weekly, Brooklyn Rail, the San Francisco Bay Guardian and on NPR’s This American Life. Since 1991, he has written, edited, and published the influential punk/activist/art/crime magazine, SCAM. More info: onthelowerfrequencies.com

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Thursday, October 20th, 7pm – Free Event

John Olson Reads From Life Is a Rip-Off with Alan Hoffman 10/8

Oct ’16
8
7:00 pm

LRIP-cover-550

From American Tapes to Wolf Eyes, John Olson is one of the most influential musicians of the past two decades, the obvious bridge between free jazz and noise music. Wikipedia lists over 75 projects with which Olson worked and over 100 Wolf Eyes’ recordings. Olson is now a discerning and sharp-witted author too: LIFE IS A RIP OFF, published by Jack White’s imprint Third Man Records, is a collection of surprisingly untraditional record reviews which Olson wrote over the course of 365 days. He will read from his book on Saturday October 8, accompanied by some of his many instruments.

Local writer-performance artist Alan Hoffman will open for him and debut his novella AUDITIONS about internet-porn casting-couch videos.

olson hoff parody

LIFE IS A RIP OFF: THE COMPLETE BOOK is 12 months of record reviews—one record a day, every day, for one year. Yes, John “Inzane” Olson aka Inzane Johnny of the bandWolf Eyes aka American Tapes did that. And he reviewed everything from death metal demo cassettes to the Staples Singers’ gospel. Enter into the OLZONE and find out about music you’ve never known, bands from places that you’ve never heard, and then read his review of KANSAS. Reading LRIP will make you re-realize why blues is relevant, why every punk band in America matters, why jazz is good for the heart, and metal will always ride by your side.

“To write music op-ed this good, you have to tap the primordial sap sack, to butterfly stroke the ancient ooze of tune begatment, cave dwell with the knuckle draggers, scratch symbols into the dirt with the freaks and make it rain. He do and it did.” — Henry Rollins

“[Life is a Rip Off] is the best way [John Olson] can add another cubist layer to the sound and visuality he’s already presented for the last twenty or so years. He’s sharing something the people who don’t know him personally don’t get enough of—his textual, syntactical brain, stained as it is with dollar-store spray paint.” Ben Hell Hall, Detroit artist.

“When John agreed to write a record review a day, back in 20xx, I wasn’t too keen on the idea. Not because I didn’t think he could do it – but that I knew he would do it, even if it became a years-long all-encompassing obsessive task.” — Tovah Olson, The Dead Machines.

“[John Olson] didn’t just introduce me to different worlds, the man introduced me to entire universes.” Bryan Ramirez, Killertrees Records

“Wolf Eyes . . . sounds like a crumbling Velvet Underground bootleg that’s been burned to ashes.” NPR, Sept 2015

As always, this event at Quimby’s is free.

More info:

The Facebook invite for this event. Invite your friends!

https://thirdmanrecords.com/news/life-is-a-rip-off/

http://www.wolfeyes.net/

https://wolf-eyes.bandcamp.com/

Anya Davidson Celebrates Band for Life 10/6

Oct ’16
6
7:00 pm

bandforlife

Band for Life collects the beloved series that follows a misfit band of Chicago punks trying to be self-sustaining with their finances and friendships as they navigate the often confounding art world. It’s the story, told in comic strip form, of a noise rock band and their community of friends and acquaintances based in an alternate reality version of Chicago. Though beset with disaster at every turn and frequently reduced to squabbling, they stick together because the band is the fulcrum of their otherwise confounding lives, and together they help each other find their way.

Fusing elements of the classic British sitcom The Young Ones, as well as classic kids comic strips like Charles Schulz’s Peanuts and John Stanley’s Melvin Monster, Band for Life is a work of dark humor, but also infused with genuine affection for its cast; in many ways it is a love letter to creative people compelled to create, with no hope of financial reward.

“I was raised on old school adult comics from the ’60s to ’80s, the artwork of Pedro Bell, Overton Loyd and Ronald Stozo of the Parliament-Funkadelic Universe, Ralph Bakshi movies, and the like. When I came across Band For Life, I was immediately drawn in. The art reminded me of Funkadelic album covers, but with its own original swagger. The storylines spoke to my personal experience as a lifelong musician and band leader/member, in the same way that This Is Spinal Tap made me cry once I realized my life was as absurd as the movie. Anya Davidson is tapped into the very human experience that makes life in a band the story of family.” — Norwood Fisher (Fishbone)

“Anya Davidson gets that being in a band is generally about 5% playing music and 95% anything but. In true punk form, Band For Life kicks into high gear with page number one and never lets up.” — Brian Chippendale (Lightning Bolt)
“Anya’s comics look like Dick Sprang and Boody Rogers got locked in a Pez factory and were told they would not be released until they produced hundreds of pages of a gutter punk Herculoids meets Josie and the Pussycats soap opera dripping soul and neglect.” — Gary Panter (Jimbo)
Band for Life is a warped and hilarious portrayal of the banality and adventure of bandhood from someone who lived it, but  embellished gloriously by Anya’s imagination. Fucked up, feminist and funny. If you have ever ground away late nights in a basement trying to desperately remember the bad songs you just wrote, you will recognize your strife here with ‘the Wildest Band on Earth’.” -Jessica Hopper, author & Editorial Director, MTV News

Anya Davidson was born in Sarasota, Florida in 1983. She graduated with a BFA from the School of the Art Institute of Chicago in 2004. She is a cartoonist, musician, teaching artist and printmaker whose work appeared in many zines and anthologies, including Kramers Ergot and Best American Comics. Her debut graphic novel, School Spirits, was published by Picturebox Inc. The Ignatz award-winning series, “Band for Life” is her first book with Fantagraphics.

More info:
Facebook invite for this event. Tell your friends!
for press inquiries: Anna Pederson (event manager) pederson(at)fantagraphics(dot)com