Carrie McGath’s new chapbook, Dollface: Poem-Songs (self-published), is comprised of lyrical strains representing conversations between Surrealist artists, Hans Bellmer and Unica Zürn. After studying the work of these artists and their tumultuous love affair that ended with Zürn jumping out of the window of Bellmer’s Paris apartment, these poem-songs started to come to life for McGath. In addition to the poems that make up Dollface, collage emerged as well as an amalgam of work by Bellmer and Zürn commingled with McGath’s.
“Dark, playful, and startling, these poems read like a lucid dream hovering at the edge of nightmare; no, not nightmare. Ecstasy. They feel their way around staircases, ribcage muscles, gray smoke, rolling pins – oh, the “hard, cold, beautiful” rolling pin. McGath invites us to the recesses wher e bodies revise, scatter, retrograde, reify: ‘Touch,’ she writes, ‘Your hearts are hot.’ Indeed, there is much to feel, face, and reface in these irresistible pages.” –Kathleen Blackburn, Essayist and PhD in the UIC Program for Writers
Carrie McGath’s first collection of poetry, Small Murders (New Issues Poetry and Prose, 2006) was followed by several handmade chapbooks including So Sorry to See You Go and Ward Eighty-One. Her poems have appeared in journals such as The Chariton Review, Barrow Street, The Hiram Poetry Review, Nude Bruce Review, and others. She is currently a doctoral candidate in the Program for Writers at the University of Illinois at Chicago and is at work on her second full-length poetry collection, The Luck of Anhedonia. She is also an arts contributor to Chicagoist and resides in Chicago.
For more info: carriemcgath.com
Thurs, Sept 7th, 7pm – Free Event