Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction to the craft of making – as well as creatively cannibalizing – electronic circuits for artistic purposes. With a sense of adventure but no need for prior knowledge, the reader can subvert the intentions designed into devices such as radios and toys to discover a new sonic world. At a time when computers dominate music production, this book offers a rare glimpse into the core technology of early live electronic music, as well as more recent developments at the hands of emerging artists. In addition to advice on hacking found electronics, the reader learns how to make contact microphones, pickups for electromagnetic fields, oscillators, distortion boxes, and unusual signal processors cheaply and quickly.

This revised and expanded second edition is extensively illustrated and includes a DVD featuring 87 video clips and 20 audio tracks by over 100 hackers, benders, musicians, artists and inventors from around the world, as well as 13 video tutorials demonstrating projects in the book. Further enhancements include additional projects, photographs, diagrams, and illustrations.

What might happen at this event? Maybe some and/or all of the following: an anarchic hacking orchestra composed of multiple uncoordinated performances distributed around the store, each performer using individual small sound systems? Speakers amplifying bent toys, battery-operated mini-amps, video, and demos of a few projects? Who knows?

Nicolas Collins, an active composer and performer of electronic music, and has worked with John Cage, Alvin Lucier, David Tudor, and many other masters of modern music. Dr. Collins is Professor of Sound at The School of the Art Institute of Chicago, and has led hacking workshops around the world. Since 1997 he has been editor-in-chief of Leonardo Music Journal. For more info: http://www.NicolasCollins.com