Archive for the 'art' Category

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Jason Robert Bell Brings The White Feathered Octopus to Quimby’s 6/11

Jun ’13
11
7:00 pm

whitefeatheredoctopus

Jason Robert Bell, Mystical Rebel Outlaw Baddasss, whose Advance Thothic Practice in Theatomix will one day rule the world, is releasing a limited paperback first edition of his new book The White Feathered Octopus (Tetragrammatron Press, 2012). This book talks about the gritty hard realties of growing up a blinded street beggar in Cairo, 1937, as if a mutant midwifed counterclockwise to the distant Jauntpads of Rocketcityutopia. It is a science fiction novel, written from one giant cryptographic anagram of Herman Melville’s Moby DIck. Not for the faint of heart! Read it if you dare. An erotic sexperiment in Philikdicking ones own mind back from the brink of madness and disability  a biography of lowdown heights, back alley knife fights, and cold uptown delights, the whole while you have the sinking feeling that this all might not actually be happen, as if you are a chess piece on a scrabble board.

In other words, prepared to have your MindPenis Blown!

Mr. Bell will have a limited edition of 12 artist proof unedited copied of his 365 page unreadable sci fi sex, steampimp, one giant anagram of moby dick novel. They will be for sale for $17.766 cents Lumarian, $20 usd. The books come with a digital portfolio of images and the text in complete iPad friendly PDF.

Robin Dluzen, editor in chief of Chicago Art Magazine is having nightmares about:

The White Feathered Octopus – The cornerstone of Jason Robert Bell‘s “One Man Army Corpse” exhibition at Thomas Robertello Gallery is The White Feathered Octopus, a 300-page book written by the artist during a three-month, pharmaceutically laden, bedridden recovery from a medical injury, available for viewers to peruse on a shelf in the gallery.

Not since my adolescent discovery of William S. Burroughs’s Naked Lunch have I felt the same heavy, sinking feeling in my stomach from a work of art, visual, written, or otherwise. The artist is the author, protagonist, and narrator of this digitally composed, fragmented, stream-of-consciousness piece, fluctuating between seemingly autobiographical reality and fantastical nightmares.

Like Naked LunchThe White Feathered Octopus is difficult to read in both structure and the nature of its content, and it is capable of giving a reader actual nightmares (as it did for me). But also like Burroughs’s masterpiece, it absolutely must be read for its courageous and frightening sincerity.

Jason Robert Bell is a Brooklyn-based experimental artist and mystic, who produces paintings, drawings, comics, sculpture, experimental films, outdoor installations, performances, and now text, that are the by-products of a mystical journey, conjuring a highly charged, alternative reality. His work has been exhibited at Postmasters Gallery, New York and Thomas Robertello Gallery, Chicago. Bell received a BFA in Painting from the School of the Art Institute Chicago and an MFA from the Yale School of fArt.

For more info: http://www.tetragrammatron.com/ or cavemanrobot@gmail.com

June 11th, 2013, 7pm – Free Event

 

off-site but of interest: Long-Arm Stapler First Aid: OPENING RECEPTION at Spudnik Press Cooperative

Apr ’13
20
6:00 pm
Long-Arm-WEB
Long-Arm Stapler First Aid: Self-Care In Zines and Mini Comics

Curated by Liz Mason and Neil Brideau
4/20/13 – 5/31/13
 
Opening Reception: April 20, 2013 6:00 – 9:00pm
The Annex @ Spudnik Press Cooperative,
1821 W Hubbard, Suite 303, Chicago, IL
(NOT at Quimby’s)
Whether we’re soothing, grooming or creating major life changes, we’re always involved in some sort of self-care, no matter how big or trivial. Drinking coffee, petting animals, getting stuff off our chests, confronting personal and societal demons, we are perpetually creating a space for our own personal world to exist healthfully in the bigger world. Indeed, the personal is social.
Instead of relying on professional services, one can create change using a DIY mentality, often with the help of some sort of reference. At their core, the pieces in this group show suggest we must be our own proponents for health and well-being.
The exhibit “Long-Arm Stapler First Aid” features pieces by a variety of zinesters and comics artists. The pieces discuss and/or illustrate self-care topics that both help themselves and inspire the reader to be their own advocate in self-improvement. In honor of self-publishing as a means to foster well-being, Spudnik Press is proud to host this exhibition featuring dozens of zine makers from across the country, including Edie Fake, Rinko Endo, Kathleen McIntyre, Ramsey Beyer, Liz Prince, Dina Kelberman, Sara McHenry, Maris Wicks, Beth Barnett, Nate Beaty, Raleigh Briggs, Danielle Chenette, Emilja Frances, Turtel Onli, Trubble Club, Caroline Paquita, Sarah McNeil, Milo Miller, Corinne Mucha, Kitari Sporrong, Missy Kulik, Cathy Leamy, Erick Lyle and more.
Long Arm Stapler First Aid will also include a limited edition exhibition zine, compiled by Liz Mason, encompassing relevant self-care themes in zines and mini-comics such as: healing, grief, fitness, and medical issues. The exhibit will also feature a limited edition screenprint by Ramsey Beyer, published by Spudnik Press.
 
This show brings together an assortment of zines and comics that address health-related issues ranging from mental to physical, personal to societal, and preventative to regenerative, including such specifics as grooming, food preparation, self-defense, coping strategies, defense mechanisms, mental or spiritual development and even soul enrichment. These largely self-published works address, at times, incredibly personal experiences, usually with a large dose of wit.
Unlike a film or a painting, readers of zines and comics are able to engage with these works at their own pace, choosing when they are ready to confront the next page. Perhaps this is what allows authors to broach difficult, and often very personal, topics with great breadth of emotion, honesty, and clarity. Through the combination of words and images, artists are able to rely on multiple modes of communication to bring together the tangible and the cerebral.
Why the long-arm stapler? It’s the symbol of home-stapled periodicals, the best kind of stapler to use for getting to the center of the page that a normal stapler can’t reach. And the very act of making a zine and mini comic (and reading) is considered a therapeutic caring action.
Long live (and maintain, groom and sooth) the long-arm stapler!
About the curators:
Liz Masonis the manager of Quimby’s Bookstore, known for selling a variety of self-published works, as well as the editor and publisher for the zine Caboose.

Neil Brideau is comics artist and comics sommelier at Quimby’s Bookstore, as well as an organizer of CAKE, Chicago’s Alternative Comics Expo.

*Image Credit to Dina Kelbermann

Off-Site Event: Special Screening of Wonder Women: The Untold Story of American Superheroines and Superhero Expo

Mar ’13
16
2:00 pm

 

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SATURDAY, MARCH 16, 2013
2:00-4:00 PM
CHICAGO CULTURAL CENTER
2nd Floor Claudia Cassidy Theatre
With a discussion featuring comics artists Jill Thompson, Lyra Hill and Jenny Frison.
Host: Allison Cuddy of WBEZ/Chicago Public Radio.

(NOT AT QUIMBY’S; AT THE CHICAGO CULTURAL CENTER, 78 E Washington St  Chicago, IL 60602)

Superhero Expo
2:00 PM – 5:00 PM
in the 1st Floor Garland Room
with Brain Frame, Girls in the Game, Quimby’s Bookstore and more.
Featuring the Superhero art show (see details below), Photo Booth (with costumes),
and the Superhero Portrait Slam with Project Onward artists (11am – 4pm)!

Envision Superheroines for the Modern Age!
Renditions will be displayed at the Wonder Women Expo at the Cultural Center on March 16th during and following the screening of the documentary Wonder Women: The Untold Story of American Superheroines. From the birth of the comic book superheroine in the 1940s to the blockbusters of today, this documentary looks at how popular representations of powerful women often reflect society’s anxieties about women’s liberation.

Bring your drawings/paintings/art to the Expo.  Any format for the art is fine.

To consider:
What is her mission?
What does she look like? What is her costume?
What powers does she possess?
What issues does she tackle? Whom is she going to save?
Does she have an everyday alter-ego/cover?  If so, what is her occupation?
What are her personal challenges?
Does she have a sidekick?
What is her mode of transportation?
Special gadgets she employs in her feats?
What is her “kryptonite”?

Presented by WTTW Channel 11 and the Chicago Department of Cultural Affairs and Special Events in partnership with Chicago Foundation For Women, Eileen Fisher Foundation, Project Onward and Quimby’s Bookstore.

Community Cinema is a national civic engagement initiative featuring free monthly screenings of films from the Emmy Award-winning PBS series Independent Lens. Every month in 100+ cities, community members come together to learn, discuss, and get involved in key social issues of our time.

 

“Mitch O’Connell: The World’s Best Artist” Book Signing & Slideshow With Book Designer Joseph Allen Black at 3/21

Mar ’13
21
7:00 pm

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Humorous and masterful, Mitch O’Connell: the World’s Best Artist by Mitch O’Connell, (Last Gasp Publishing) is a career-spanning retrospective of work from the king of kitsch, Mitch O’Connell. This full-color, 284 page tome—resplendent with a foam-filled, vinyl, glitter-enhanced cover—collects all the good stuff (the crappy art is under lock and key) from this prolific pop artist. If you appreciate the finer things in life, such as beehives, boobs, and big-eyed kittens, you will not want to miss this book.

 “I am stunned by how remarkably talented he is … I’ve been jealous of him for over 30 years!”-Mark Frauenfelder, Boing Boing

“What David Lynch might read to his kids at night! Great!” – Boston Globe

Mitch O’Connell’s work has been featured in such places as: Playboy, The New York Times, Rolling Stone, The New Yorker, GQ, Entertainment Weekly, Newsweek, and Juggs. He has made campaign art for Coke, McDonalds, KFC, Kelloggs, and more. His tattoo designs can be found on bodies belonging to people with impeccable taste the worldwide. His previous books include Mitch O’Connell Tattoos, Pwease Wuv Me, and Good Taste Gone Bad.

Mr. O’Connell will  be joined by the book’s designer Jospeh Allen Black.

For more info: mitchoconnell.com  lastgasp.com and jospehallenblack.com

Thursday, March 21st, 7pm – Free Event

Zak Sally, Dale Flattum and John Porcellino 3/23

Mar ’12
23
7:00 pm

Quimby’s welcomes Zak Sally, Dale Flattum and John Porcellino!

Sammy the Mouse: Volume 1 by Zak Sally (Colors throughout, 104 Pages) is the first collection of sammy the mouse comics, all in a beautifully bound, handmade package. This collection is the first three issues of Eisner Award Nominee Zak Sally’s comic Sammy the Mouse (previously serialized as part the international Ignatz line of comics published simultaneously by Fantagraphics Books in the United States and Coconino Press in Italy). For this collection, Sally printed each copy on his own AB Dick 9810 offset press and is releasing it under his La Mano publishing house. Sally is personally responsible for every step in the bookmaking process; from conception to execution to reproduction to delivery, making each hand-signed copy the product of one artist’s unique vision. Volume 1 introduces us to Sammy, his friends and frienemies, and a fantastical town that’s as elegantly drawn and viscerally alive as the characters themselves. Sammy is tugged and pulled about town against his own volition in this first part in the series; from a bar in the shape of a baby to the top of a giant staircase to a picnic on the beach with a mustachioed female stranger. Some characters are seemingly controlled by an unseen voice from above, others by the constant need to get drunk. Throughout the book, Sally offers glimpses of the epic tale ahead between the drinking, arguing, and vomiting. Meticulously drawn and printed using a sophisticated two-color process, Sammy the Mouse: Volume 1 is an extremely funny, weird and intense introduction to what will be a truly unique series.

PRAISE FOR SAMMY THE MOUSE
“A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort… A-” – The Onion AV Club

“And then there’s Zak Sally’s Sammy The Mouse which for me has been a revelation…” – Tom Spurgeon, The Comics Reporter

“Nothing else I’ve seen in thirty years of self- enforced sobriety has made me want a drink more than Sammy the Mouse. Zak Sally grabs you by the eyes and drags you headlong into a vision of earnest struggle and serial revelation. It feels real. Hell, it is real.” –Jim Woodring

“Sally is producing a real sharp, evocative and haunting work that manages to send a deli- cious chill up my spine upon reading it.” – Chris Mautner, Robot 6

Zak Sally is an Eisner-nominated cartoonist whose work has appeared all over the place. He owns and operates La Mano, an award-winning “micro-publishing” house who has published work by John Porcellino, William Schaff, Nate Denver, Jason Miles, and Kim Deitch. He spent 12 years in the band Low.

——————-

Dale Flattum creates posters, art forgeries, and other screen printed propaganda under the alias TOOTH. His book TOOTH: The Graphic Art of Dale Flattum showcases 25 years of his graphic art. It includes 250 page volume mixes posters, illustrations & propaganda into a semi autobiographical history, as told through a Xerox machine. *It also includes a CD of music pulled from the author’s shady nine year musical past in the bands Steel Pole Bath Tub, Milk Cult, The Nein, and Agent Nova. (The CD also includes the unreleased Novex second album.)

“When I was 16 years old,” Dale explains, “I tore a weird looking poster off of a telephone pole near my house. It was crudely assembled, cheaply produced, and probably the greatest thing I’d ever seen. Later when I started to play music, the poster for the show became almost as important as the show itself. It was proof that something had happened. It was subversive propaganda. It was fun. It was addicting. And what did you need to do it? Scissors? Glue? A Xerox machine? An 8.5 x 11 piece of paper turned out to be a very powerful thing. The possibilities were endless.”

“TOOTH makes needles out of haystacks.” Dirk Fowler

“Blunt, in your face, yet abstract at the same time. Much of this book feels sticky to me for some reason. I’m glad Dale has kept this up and sharpened his art tongs over the years.” -Jello Biafra

“TOOTH’s exquisite work looks so effortless. He can do in a moment what I have to STRUGGLE to do. I’m jealous!” -Art Chantry

“Awesome!!!” -Wayne Coyne

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John Porcellino has been writing, drawing, and publishing minicomics, comics, and graphic novels for over twenty-five years. His celebrated self-published series King-Cat Comics, begun in 1989, has inspired a generation of cartoonists. Diary of a Mosquito Abatement Man, a collection of King-Cat stories about Porcellino’s experiences as a pest control worker, won an Ignatz Award in 2005, and Perfect Example, first published in 2000, chronicles his struggles with depression as a teenager. King-Cat Classix and Map of My Heart, published in 2007/2009, offer a comprehensive overview of the zine’s first sixty-one issues, while Thoreau at Walden (2008) is a poetic expression of the great philosopher’s experience and ideals. According to cartoonist Chris Ware, “John Porcellino’s comics distill, in just a few lines and words, the feeling of simply being alive.”

Event Details:
Where and When: Here at Quimby’s, 3/23, 7pm, free
Who & What new title they’re celebrating:
Zak Sally Sammy the Mouse vol 1
Dale “TOOTH” Flattum TOOTH: The Graphic Art of Dale Flattum
John Porcellino “King-Cat Comics #72”